Author Topic: Photographing a Playfield  (Read 252 times)

0 Members and 2 Guests are viewing this topic.

Offline swinks

  • Trade Count: (+18)
  • ******
  • High Score Initials:
  • Forum Posts:
  • Lake Macquarie, NSW
Re: Photographing a Playfield
« on: January 31, 2013, 09:47:51 PM »
here is some info that will help with getting settings right, keep in mind good light and shutter speed all work hand in hand

http://www.sederquist.com/claexpos.html

f-stops (Depth of Field)

Your other creative camera control is the aperture (opening) on your lens. We measure the size of the opening using f-stops. Each f-stop is twice as large or half as small as the one next to it. Thus, when you set your lens at f/8, and then adjust the lens to f/11, you're letting in half as much light. Conversely, if you set your lens at f/8 and then adjust it to f/5.6, you're letting in twice as much light. On a 35mm camera, you'll find f-stop settings like f/1 (wide open), f/1.4, f/2.8, f/3.5, f/4.0, f/5.6, f/8, f/11, f/16, f/22, f/32. To gain a bit of light, you'll also see non-standard apertures such as f/1.8. f/3.5 or f/4.5.


Why bother with all this? As you go higher in f-stop numbers, you increase the front-to-back distance (depth of field) in your photograph. Thus, if you take a picture at f/22 (a very small opening), you'll have most of your picture in focus. A way to remember this is as you go higher in f-numbers, more of the picture is in focus.
Another factor to keep in mind is that your depth of field decreases as your camera/subject distance decreases. Thus depth-of-field becomes a major challenge in close-up photography. Depth of field also decreases when you use medium or large format equipment, such as equpment that uses 120/220 or 4"x5" film. Depth of field decreases, too, when you use telephoto lenses.
https://swinks.com.au

for pinball parts (reproduction & mods)
for pinball t-shirts